All Giovanni Antonio Boltraffio 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
88570 Baptist and two donors  Baptist and two donors   Oil on wood, 1500 cyf
88141 Maria mit dem Kind  Maria mit dem Kind   c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr
89775 St Sebastian  St Sebastian   second half of 15th century Medium Oil on wood transferred to canvas cyf
97783 St Sebastian  St Sebastian   second half of 15th century Medium Oil on wood transferred to canvas cyf
84672 St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors  St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors   Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr
94064 The Resurrection of Christ with SS. Leonard of Noblac and Lucia  The Resurrection of Christ with SS. Leonard of Noblac and Lucia   circa 1491(1491) Medium oil on poplar wood Dimensions Height: 234.5 cm (92.3 in). Width: 185.5 cm (73 in). cjr
86947 Virgin and Child  Virgin and Child   between 1493(1493) and 1499(1499) Medium Oil on wood cyf
87004 Virgin and Child with Sts John the Baptist and Sebastian  Virgin and Child with Sts John the Baptist and Sebastian   1500(1500) Medium Oil on poplar cyf
Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.



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